This exhibition takes it upon itself to present a consideration of the “Good life” as considered by Reza Negaresteni in Intelligence & Spirit. The objective consideration of intelligence through a computational framework leads to Univalent Foundations role in shifting from a type or set theoretical framework into one that employs the intuition afforded by homotopy, moreover the homotopies of homotopies afforded by inifnity-groupoids. Eric Schmid’s Homotopy Type Theory at Central Banken in 2023 offers Gabriel Catren the opportunity to examines UF’s gaseous capacity. Moreover UF’s gaseous capacity in amending computational frameworks such as DOLCE resonates with Nick Walker et al’s definition of neuroqueerness. Where the potentiality of the term neuroqueer encompasses the potential horizon of philosophy as an act of a rendering intelligence intelligible. This comparison is most immediate in Hendrix’s contextualization of Catren’s religious polemic Pleromatica where she identifies the four modes of philosophy: thought as a periscope, or as a hammer, or as a message from the future or as access to the angels.Furthermore this constellation of considerations renders a landing pad for considering Queerness as an arena for parsing the fluctuations between these frameworks; primarily emerging from the way queerness emerges out of the gap and subsequent risk of making intelligence intelligible. The everlooming threat of death informed by normative frameworks will enable our atemporality.

This exhibition includes works by Bethany Austhof, Kate Gross Jesus Hilario, Mae Howard, Luin Joy, Will Krauland, Ray Madrigal, AJ McClenon, Sofia Moreno, Umico Niwa & Lari Garcia, Olivier, Catalina Ouyang, Fick Patterson, Fawn Penn, Dani ReStack, Lee Schulder, Xitlalli Sixta Tarin, Melon Sprout, Cyrus Walker and Zante (Dante Moore).